97. The book maps the impact of major theoretical developments - structuralist and semiotic theory; psychoanalysis; theories of ideology, language and discourse - on this growing field, in terms of both theoretical shifts and changes in methodologies. PDF | On Dec 1, 1998, Peter A. Edwards published Feminist Film Theory: a review of Silverman’s Male Subjectivity | Find, read and cite all the research you need on ResearchGate This anthology brings together the key statements from the main debates in feminist film theory in Britain and the United States since 1970. Karen Hollinger provides an accessible overview of women's representation and involvement in film, complemented by analyses of key texts that illustrate major topics in the field. Feminist film theory however is often universalizing, and it makes use of complex language and alienating categories which deny women's experiences as active spectators enjoying films or reading them critically. This book is aimed at helping media and film studies teachers introduce the basics of feminist film theory. The book maps the impact of major theoretical developments - structuralist and semiotic theory; psychoanalysis; theories of ideology, language and discourse - on this growing field, in terms of both theoretical shifts and changes in methodologies. Intersectional Feminist Film Theory. By marrying the explanation of a film theory with the interpretation of a film, the volumes provide discrete examples of how film theory can serve as the basis for textual analysis. Although it often gets reduced to key theoretical—primarily psychoanalytic—analyses of spectatorship from the 1970s and 1980s, it has always been and continues to be a dynamic area with many objects of focus and diverse methodological practices. Feminist Film Theory and Cléo from 5 to 7 offers a concise introduction to feminist film theory in jargon-free language and shows how this theory can be deployed to interpret Agnes Varda's critically acclaimed 1962 film Cléo from 5 to 7. In this work of feminist film criticism, Mary Ann Doane examines questions of sexual difference and knowledge in cinematic, theoretical, and psychoanalytic discourses. The book consists of a theoretical introduction and analyses of seven important films by Alfred Hitchcock, each of which provides a basis for an analysis of the female spectator as well as of the male spectator. Laura Mulvey (born 15 August 1941) is a British feminist film theorist.She was educated at St Hilda's College, Oxford.She is currently professor of film and media studies at Birkbeck, University of London.She previously taught at Bulmershe College, the London College of Printing, the University of East Anglia, and the British Film Institute. No prior knowledge of feminist theory is required, the intended readers being university undergraduate teachers and students of film and media studies. The best way to summarize Feminist Film Theory is this: Most movies are made by men and controlled by men. Book Feminist Film Studies. Karen Hollinger provides an accessible overview of women’s representation and involvement in film, complemented by analyses of key texts that illustrate major topics in the field. This anthology charts the history of those debates, bringing together the key, classic essays in feminist film theory. Pages 28. eBook ISBN 9780203146804. What is Feminist Film Theory? What is Feminist Film Theory? Areas of emphasis include spectatorship, narrative, and ideology. Karen Hollinger provides an accessible overview of women’s representation and involvement in film, complemented by analyses of key texts that illustrate major topics in the field. In 1981, film journal ‘Jump Cut’, published an issue dedicated to reviewing the lack of lesbian identities in films. Feminist theory has been foundational to the establishment and development of film studies as a discipline. Tracing the highly productive ways in which feminist directors create alternative film forms, Anneke Smelik highlights cinematic issues which are central to feminist films: authorship, point of view, Originally published in 1988, The Women Who Knew Too Much remains a classic work in film theory and feminist criticism. The Lost Audience: Methodology, Cinema History and Feminist Film Criticism'. First Published 2012. Jackie Stacey - 1995 - In Beverley Skeggs (ed. Find books If you don't like the articles, you shouldn't be teaching a course on feminist film theory. Read this book on Questia. --Journal of Aesthetics and Art Criticism Erens brings together a wide variety of writings and methodologies by U.S. and British feminist film scholars. For the past twenty-five years, cinema has been a vital terrain on which feminist debates about culture, representation, and identity have been fought. It’s a question that pops up whenever feminism is discussed. Feminist film theory is a film criticism derived from feminist politics and feminist theory. Book Description. And The Mirror Cracked explores the politics and pleasures of contemporary feminist cinema. bell hooks argues for example that Mainstream feminist film criticism in no way acknowledges black female spectatorship. However, those ideas also travelled, by means of books, journals, film 1111 festivals, academic courses, and visiting filmmakers and theoreticians, 2 to mainland Europe and Australia, impacting on the work of feminist 3 film theorists there (Creed 1987: 281). Hilary Neroni employs the methodology of looking for a feminist alternative among female-oriented films. Collections Focus July: Feminist Cinema Sophie Mayer, for many years a frequent BFI Reuben Library visitor, has personally selected our display of 40 books to coincide with July 2016’s library event. Everyday low prices and free delivery on eligible orders. book. This anthology brings together the key statements from the main debates in feminist film theory in Britain and the United States since 1970. Feminist Film Studies is a readable, yet comprehensive textbook for introductory classes in feminist film theory and criticism. Sometimes the answers are pithy and snappy (for example, the one given by Su in Roxane Gay’s Bad Feminist, one of the best feminist books, who states that feminists are “just women who don’t want to be treated like shit”).Sometimes they’re much longer, for better or for worse. Spectatorship, narrative, and the United States since 1970 film incorporates aspects of feminist criticism... 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